I carved two other pieces that I have done before: a lettercarving piece (the first photo above) and a stylized acanthus leaf in relief.
And on the heraldry front, I am working on a large family crest that is getting close to being finished. The short video below shows some progress.
Stay tuned for more updates. I have a very large lettercarving project that I am on the verge of starting. In the new year I am picking up the wood for an ornately carved lintel over a front door in a large foyer. And I have another family crest in the works. It’s nice to have work, but I am feeling the pressure to get things completed!
Inspired by a painting done of me and for me by my good friend and artist, Len Schmidt, a while back I carved a trout out of pine, in high relief. The idea was to test out several artistic concepts. I wanted it to be a minimalist type of carving – no scales, just a hint at the eyes and gills – but I also wanted it to give the impression of a fish that is half-in and half-out of the water, and one that clearly has some movement going on. It hang on my wall straight up and down for about a year, and I wasn’t happy with it.
Then, recently I thought about grouping some of the art I have on my office walls, and I decided to put this carving next the painting that inspired it. I also decided to hang it at an angle to create more visual interest. The twist of the tail and the curve of the tail fin show so much more like this. I like it a lot better!
I’m still not particularly happy with the carving overall, but I’ll chalk it up to experimentation and learning. As a result, it’s not for sale. Someday I’ll redo it and resolve the issues I have with it and then I’ll consider selling it. Until then, I hope you can enjoy it for what it is.
I call this relief carving “Acanthus Leaf Study” because it is the one I use as a model to teach introductory woodcarving classes. It has all the elements of a classic low relief sculpture. It has a level foundation, some high sides, some low, some slopes, deep vees, undercuts and undulations. It has curves like Venus de Milo and is evocative of Ancient Greek and Roman sculptures. It throws a lovely shadow and will gradually warm to an antique shade over time.
It is carved in Aspen wood. The dimensions are 6 inches by 4 inches, by 3/4 inches thick. It is signed as an original with my brand initials.
The Van Dyk family crest carving is now complete. I carved it in a solid piece of yellow pine, approximately 8.5″ x 11″ and 3/4 of an inch thick. It is finished in two coats of Danish wax oil, and hand rubbed to a warm glow. This will hopefully be a family heirloom.
This was a commission from a local realtor friend. Contact me if you would like something similar. I have access to heraldry records for your family name (as long as you have an official crest).
Update. Here is a comment from the client:
“Hey Grant !!! Wow the crest looks even better in person… What a fantastic craftsman you are!!!!! I’m going to hug you next time I see you be prepared…
It will be a Christmas gift and I’m certain the Van Dyk family will Love it For generations to come…..
If you’ve been following my blog for a while now, you may be wondering what all those acanthus leaf panels are for and where they will go. They are for a client’s grand entry to his home. The entry is quite large – two stories (ten-foot ceiling stories) tall, and large enough that an eight-foot wide chandelier could be bigger and you wouldn’t notice.
The panels are part of the board that covers up the stair stringer and the board that runs under the handrail of the balcony. The client called me up to show me the carvings that he had temporarily installed until they could be stained and lacquered. I took a few photos to share with you.
But there’s more! The client wanted some finials (sort of an upside down post cap) carved as well. One is a full square, the other is only half of a finial. They are to be installed under his balcony to look as though the post for the hand-rail continues right through to the finial. In the picture below, you’ll see four wood clamps. The full finial is to go between the two middle clamps underneath the post for the handrail with the point of it aiming at the ground. The half finial is to go just to the right side of the 4th clamp on the right.
Here’s what the finial looks like mostly finished – there’s still some final smoothing, burnishing, and sanding to do to it.
Note that I am holding the finial upside down compared to how it will be installed.
The two finials were quite challenging to carve, as they are primarily end grain after they begin curving toward the point. The design had to be modified slightly because I found that undercutting a point of a leaf to give it shadow meant I was cutting all the fibers underneath the tip that were holding the point in place. They may not have held up under the pressures of sanding, staining and lacquering, so I had to do a little redesigning on the fly. What I like about low-relief carving is that it is basically a trompe l’oeil, so I was able to create a little illusion instead of actually undercutting the leaf tips. The only way you can tell the difference is by actually running your finger tips over the carving.
That completes this part of the job and now I can move on to some completely different carving. I’m working on a hummingbird “in the round,” some posts for an entry way to a home, and a large sign complete with trees, ocean, lettering, etc. Sign up to receive an email that alerts you every time I post some new pictures of another project.
Finally, after some long and challenging carving sessions, the acanthus leaf panels are complete. The client was very particular about the style he was looking for and the level of sanding required (smooth, down to 320 grit). I actually prefer the carved look versus the sanded look, but these will pop when they’re stained and varnished. The installation also required a very consistent depth of carving (3/8ths of an inch deep). Setting the depth was relatively easy. Maintaining it was not. It took some steely nerves and strong wrists to carve to the edge of the leaves but not let the carving tools slip over the edge and into the background. That would leave a mark that would have to be carved and sanded out, lowering the depth in that spot.
The various panels all have a similar theme and look to them, but the leaf patterns are all different. I can’t wait to see them installed.
They are all carved in 3/4 inch thick red oak. I like this wood for carving as it can hold a lot of detail. Sometimes the grain of red oak can be distracting for highly detailed carvings, but in this case, the grain actually highlights the carving. I like it!
This was an interesting job because the client had been unable to find exactly what he wanted, but upon contacting me found that I could offer a solution. No one else will have anything like this in their home and I’m excited for him. His unique home (really, an English style manor) in the Fort Langley area will be a show piece when it’s finished.
I’ll post more pictures when these carvings are stained, varnished and installed.
I finished carving and sanding the first of the acanthus leaf panels and made good progress towards finishing the second one last night. People will primarily view the panels from below so I carved the leaves in such a way as to highlight the shadows all the way down the boards. This meant carving the leaves at the top of the board a little more proud than the ones nearer the bottom.
The client is pleased with them, especially the dramatic shadows they throw because I left the centre stems so proud and undercut the leaves. He just dropped off two more blocks to be carved. They will be even more challenging because I will have to carve mostly end grain in solid oak.
The client has his own painter who will stain and varnish these panels when they’re all completed. I’m like a kid waiting for Christmas – I can’t wait to see them!
In other news, we met Dale & Val – very good friends visiting from Saskatchewan on Tuesday, and enjoyed a fun afternoon in Crescent Beach with them. We had a good laugh at this sign:
Note that there were no flowers in bloom anywhere within sight!