i have completed the carving stage of the horse head sculpture. This included a few last minute adjustments to the eyes, mouth and mane. Then I determined the way it would stand before cutting the base of the neck at the proper angle.
The next steps are to put a finish on it and make a stand. Does anyone know where I can find some plate steel, something at least 1/4″ thick onto which I can weld a post?
Thank you to my lovely daughter Miriah for the photos.
The horse mane carving has gone well, although I did find it challenging to work in wood where little bits just randomly spring off and fall out under the v-gouge. This happens when certain strips of wood in the parallam beam did not receive enough glue. It’s not really a problem. It means I adjust the carving slightly. I finished the mane tonight. At this point I will set the carving as it will stand and make sure the entire sculpture looks right. I’ll probably stare at it, turn it around and around, nip off bits here and there. I’ll sand it and sand it some more until I’m finally satisfied. Only then will I put the finishing coats on.
Now that I’ve finished carving the corbels for a client, I am able to return to a project that has been in the works for some time. The horse bust you see above is coming along. I am relatively happy with the general shape, and so am able to focus on getting the details correct. Last night I worked on the inside of the nostrils. Next I need to shape the eyes, ears and mouth. After that will come the sides of the snout, the ears and the mane on the forehead. I will be shaping the head a little better around the ears too. The very last thing I will focus on is the mane down the neck. I’ve left quite a bit of material there to make it look a little wild. This is a wild horse sculpted from some pretty wild wood, so the mane will not be tame.
The wood is a parallam beam. You can get an idea of its size from the carving bench it’s on, which is 16″ in diameter.
As regular readers of this blog will know, I’ve been carving a pair of corbels in oak for some time now. I’m proud to say that they are complete and are waiting for finishing (stain, lacquer, installation). These have taken a long time to complete from start to finish, so I thought you might like to know what steps were taken to complete these.
Dream and vision: the owner of the home has had a vision for his house that spans at least 30 years. He knew he wanted corbels supporting a beam in the entryway for at least that long.
Contact the carver (me) to confirm the possibility. As you now know, I said yes. I don’t remember the exact wording my reply, but it probably went like this: “No problem – I can do that.”
The owner and I with our partners took a cruise (ok, it was on BC Ferries) to Vancouver Island, specifically to look at and photograph some of the architectural details in Craigdarroch Castle in Victoria. Several different photos of the corbels in the Castle provided the ideas for the ones I carved (pictured above).
The owner’s partner Sandi Stephens drew up the design.
The owner’s carpenter, Larry Kwiatkowski, glued up the wood and cut out the shape on a bandsaw.
The owner had me rough out the general shape of some of the curves. I argued this was an unnecessary step, but he couldn’t envision the job without me doing this, so I did it (hey, it’s his money).
Sandi Stephens transferred the drawing to the wood (also unnecessary, but again the owner…).
I roughed out the leaves and stems of the acanthus motif, set the basic depths, and showed the progress to the owner, who approved with a few modifications.
I finished the carving to about 90% complete, and took the corbels to the owner for one last chance to make changes. I looked at the other carvings I’ve done for him and determined how to complete the corbels so they would match the rest of the carvings.
I completed the carving and spent numerous hours sanding. A helpful sanding product is self-adhesive emery paper, which I cut out and stuck to my fingers, sticks, needle files and just about anything that was the right shape and curvature to help speed up the monotonous sanding. Personally, I hate sanding and much prefer carvings that are finished right from the chisels and gouges, but see my previous comments about the owner….
There are two headblocks to be carved, which will be placed above the corbels and under the beams. Stay tuned to see what they look like.
One of the things I do is to carve signs. I enjoy it because signs represent something – they stand for things, and have meaning. They convey a message. I take pride in being able to understand the meaning that the client wants to portray and to be able to create that through my carvings.
Here are a couple of signs for Fort Langley that I am almost finished.
A corbel is a piece of architecture that supports a beam or some such structure above it. Corbels are almost always decorated and often quite extensively. One of my very best clients has contracted me to carve two of these pieces which will sit at the top of a staircase and balcony overlooking the foyer and entrance of the home. They will support a gorgeous oak beam with some traditional Georgian elements to them.
This corbel is designed to look like a large scroll with acanthus leaves growing up the front and sides. The acanthus leaves are extensive and richly designed.
My first task was to carve a curve along the top left and right sides which allows the acanthus leaves to wrap over the front of the corbel like fingers of a large hand gripping the architectural piece. Then I carved the scroll and leaves on the side.
Then I turned my attention to carving the top face of the corbel and those large finger-like leaves curving across.
Then my job was to continue to the other side and do the same work.
On one side, the leaves curve down to the background, but the other side will curve up and away from the background at the tips of the leaves.
Next, i will turn my attention to the heavy bottom of the scroll. These leaves will be easier to carve because I don’t have to blend them into the side of the corbel. However, the grain of the wood shifts from side grain to end grain as the scroll wraps around, which adds some complexity. The main problem is trying to ensure the carved leaves have enough structural strength to not have little bits vulnerable to being knocked off during the carving process or afterwards when cleaners will be dusting the work.
Check back soon to see the progress on the lower half of the corbels.